Moving images:
How are
television and film different from video?
Why is video
considered a material made available and available to manipulation?
Why do these new
technologies risk indoctrination?
The 1960’:
Why was video
particularly appealing for the emerging art (example of Pollock) that used a
performative approach to art?
How do Nam June
Paik and Wolf Vostell use of the screen vary?
What did the
work Telemistica by Christian
Jankowski consist of?
Technologies and Images
What does the
change from analogue to digital represent?
Who were the
first artists to work with the portable video recorder?
The 1970’s
Why is video
considered a interdisciplinary medium?
The aesthetic
quality of early videos was conditioned by the technical possibilities – why?
Stella Rendina
ReplyDelete